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Ask Not for Whom the Bell Carols

from 12 Days of Crimbo by Charles Celeste Hutchins

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If you enjoyed this piece of music, please consider donating to the Albert Kennedy Trust, who work with homeless LGBT young people. app.etapestry.com/onlineforms/TheAlbertKennedyTrust/webdonations.html

For this piece, I used Risset bells with a long decay. I used a Dissonance-curve style analysis of the partials to generate a tuning based on the timbre. Rather than use the method outlined by Bill Sethares, I compared the partials to look for good just tuning ratios. I then picked the 8 most in-tune partials (using a moving window system, so make sure they weren’t all next to each other). This is part of my TuningLib quark, which is available to SuperCollider users. (See the justScale method for DissonanceCurve)

Then I used an mp3 of the Bell Carol, but very slowly. I also adjusted the tuning of every partial by up to 10Hz and delayed all attacks by up to 60 milliseconds. This creates weird beating effects, as two identical bells are just slightly out of tune with each other. Their attacks are also often just a bit too far apart to be simultaneous.

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from 12 Days of Crimbo, released January 1, 2016

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Charles Celeste Hutchins London, UK

Charles Céleste Hutchins is a Californian abroad, testing Philip K Dick’s theory that once you become a Berkeley radical, you can never leave. He explores issues of regional identity, plays music and has telepathic conversations with an alien satellite orbiting the earth. ... more

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